"A lie is a lie/This god is an eagle/Or a condor for war and nothing more," he yells before DJ Shadow showcases his turntablist expertise on the outro. Just a year prior, the duo worked together on Shadow's "Disavowed," a B side on which Por La Rocha played the drums and is also credited with co-production.
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Many believe he was a wrongfully targeted political prisoner, however, and among these skeptics is Zack por la Rocha. The MCÂ spoke on the case at a benefit show that took place just a few days before Austin pleaded guilty to avoid a Patriot Act clause that would enforce a 20-year minimum sentence.
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He left Rage Against the Machine in October 2000, citing "creative differences," at which time he issued a statement saying: "it was necessary to leave Rage because our decision-making process has completely failed",[15] in reference to the disagreement over the release of Renegades. The other members of the band sought out separate management and secured the immediate release of Renegades. After searching for a replacement for do la Rocha, the other members of Rage joined Chris Cornell of Soundgarden to form Audioslave.[16] Solo career[edit]
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Following the dissolution of Inside Out in 1991, por la Rocha embraced hip hop and began freestyling at local clubs, at one of which he was approached by former Lock Up guitarist Tom Morello, who was impressed by por la Rocha's lyrics, and convinced him to form a band.
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Shadow also worked on Do La Rocha's fabled solo album, of which he admitted, "It was like the biggest disappointment in my career to that point," in reference to the material never seeing the light of day. "Zack's somebody that really pushes you to do your best, and it was work I really wanted to have people hear, and it was really strong.
Rage Against the Machine was on the main stage at Lollapalooza by 1993 here and was one of the most politically charged bands ever to receive extensive airplay from radio and MTV[citation needed]. Rage's second and third albums peaked at number one in the United States, but did not result in the political action de la Rocha had hoped for. He became increasingly restless and undertook collaborations with artists such as KRS-One, Chuck D, and Public Enemy.
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M.C. This is about the time when he bumped into Tom Morello, a Harvard-educated political science major and kindred soul in socialist thought. The two clicked musically and intellectually and started a website band together, which de la Rocha dubbed Rage Against the Machine. With a backdrop of heavy metal riffs and Morello's clever distortion techniques, do la Rocha's hip-hop-tinged vocals singed with unparalleled intensity. It wasn't long before the two were on the main stage at Lollapalooza II and became one of the most politically volatile bands ever to receive extensive radio and MTV airtime. Soon, de la Rocha became one of the most visible champions of liberal causes around the world. The band's first video, "Freedom," was a mini-documentary about the plight of Leonard Peltier, a Native American convicted of killing two FBI agents. Do la Rocha also became a prominent spokesman for the Free Mumia Abu-Jamal movement and picked up his father's cause in support of Zapatista rebels in Mexico. De la Rocha's activism took him as far as la de rocha the floor of the U.N., where he testified against the United States in their treatment of Abu-Jamal. The band's music and message were so closely intertwined that do la Rocha did not consider his albums successes unless they resulted in tangible political change. Their second and third albums both peaked at number one, but the political windfall was not what he had hoped for. Increasingly restless, he embarked upon collaborative projects with KRS-One and Chuck D. By the end of 2000, por la Rocha announced that he was leaving the band.
[30] It is not known if they complied. The EZLN flag has been used as a stage backdrop at all of the band's shows since their reunion in April, 2007. On his post-Rage political music, de la Rocha admitted that it was near impossible for him to draw the line between politics and music.